WW1 Uncut
WW1 Uncut

WW1 Uncut

1.0 IMDb 5.1 Apr 2014
Ended

Overview

A series of short films offering a fresh perspective on some of the most fascinating aspects of WWI, shining a light on the real experience and answering key questions. (Exclusive to BBC iPlayer)

English
E3

Breaking Deadlock

In the First World War, it wasn't easy to get out of the trenches. Lots of different weapons were needed. One in particular... By 1915 there was a clear and undeniable stalemate across the Western Front. The weapons that the armies of the war took into battle were better for defending than attacking. Soldiers attempting to cross No Man's Land were too easily shot and shelled down by the enemy leaving them with no choice but to bunker down into the notorious trenches that have become synonymous with the war. Dan Snow begins this film by attempting to explain to his One Show colleague and some-time history sidekick Michael Douglas, how the deadlock was broken. Dan takes Michael on a quick-fire tour of how they finally came up with a solution that was as ingenious as it was simple: lots of soldiers, better weapons, perfectly co-ordinated. If there's one weapons system involved in breaking the trench stalemate that warrants particular attention it is the tank, a weapon invented by the British to deal with the very specific problem of trench warfare. It was one of the great innovations of modern warfare, a real game-changer that helped turn the course of the Great War. Dan Snow is allowed special access to the Tank Museum in Bovington, Dorset where he climbs inside, on top and all around these beasts of the battlefield in order to explain not only how they changed the nature of warfare but how they rapidly evolved from the 1915 prototype Little Willie, the first tank, through to the iconic Mark IV, the comparatively speedy Mark A Whippet tank and the huge International, an Anglo-American designed tank that showed how far this revolutionary weapon had changed within just a few years of its invention.

TBA 1m
E6

A Tommy's Sex Life

Rising comedy talent Thomas Gray plays the part of a young junior officer who has just returned to duty after a raucous last night on leave. It may surprise many but this fictional account of British Army soldiers visiting a brothel in northern France is based on one of the less well-known aspects of WW1. In fact the maisons tolérées were a significant feature of life behind the front line and in towns such as Le Havre there was an extensive network of efficiently run brothels that provided a welcome relief from trench warfare. Inside, the madame-run establishments where the working girls were subject to regular health checks, provided by all accounts a pleasant, frivolous atmosphere whilst outside it was not unusual to see long queues, five or six men deep, even before opening hours. Soldiers from Canada, Australia and New Zealand tended to be better paid than their British colleagues and were therefore able to afford the pick of the girls. Even more divisive was that traditional British fault-line; the class system. The brothels were known as either red lamps or blue lamps. Red lamps tended to be basic and spartan and were for regular soldiers, the privates. On the other hand the more luxurious blue lamps were the preserve of the officer class only. Although there was a very real risk of sexually transmitted diseases, the British authorities tolerated the brothel system. Although some army chaplains made it their business to chastise the queuing soldiers, it was generally considered that soldiers' fitness and state of mind would be better served by indulging rather than denying the men what they believed to be their hard-won visiting rights.

TBA 1m

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