Who is Mr. Tom?

The FILMMAKER interviews Helen O'Meara, a woman who had a first-hand encounter with the man named Mr. Tom that changed her life forever.

Helen O'Meara goes into detail about her daughter's possession, her shocking behavior and her feelings towards Mr. Tom -- who she blames for her daughter's death during her exorcism.

The FILMMAKER discusses the world of "modern exorcism" and decides to find out the truth -- and more importantly to do whatever it takes to make contact with the dangerous "Mr. Tom".

The FILMMAKER sources an interview with an "ex-priest/exorcist" named Peter Maddellena which goes very... very badly.

The FILMMAKER searches desperately for an explanation for what those "figures on the hill" are -- and receives an unexpected lead.

The FILMMAKER agrees to meet with Peter Maddellena once again, who has reached out to the FILMMAKER in an effort to show him something "very important"...

A week has passed and the FILMMAKER is still recovering from the incident at the church -- which has changed everything. Now having a direct connection with Eli Dante and Mr. Tom the FILMMAKER is offered a very lucrative deal...

The FILMMAKER is granted a formal sit-down with Mr. Tom for the purpose of getting him comfortable with the idea of being filmed and agreeing to participate in a feature length documentary about his life.

Over the course of a couple weeks the FILMMAKER tries desperately to connect with Tom despite the fact that Tom is sending the FILMMAKER every conceivable message he can that he wants nothing to do with this movie.

While on hiatus with Tom the FILMMAKER puts the tapes he was given of Lisbeth O'Meara's possession online, in doing so hoping to spread awareness about the visceral realities of modern demonic possession -- and trying to find new leads for the film since his current ones are not working out as planned.

The FILMMAKER stands his ground in a final confrontation with Tom.

Having a dozen questions, having been injured by Tom and still nowhere near getting him to agree to make the documentary -- things couldn't get more bleak. That is until the FILMMAKER receives an upset message from Helen O'Meara.

The FILMMAKER returns to the basement one FINAL time to speak with Tom and receives an unexpected surprise.

The FILMMAKER'S victory with Tom is short lived -- having recently received another threatening video from Helen O'Meara and capturing on camera a bloody and terrifying image he cannot explain -- the FILMMAKER fears that the worst is yet to come.

Unable to reach Eli Dante the FILMMAKER searches frantically for a way to understand what's happening to him and receives some unexpected guidance.

The FILMMAKER takes the advice he was given to heart and returns to the basement to present Tom with something he really isn't going to like.

Tom takes a leap of faith and steps out into a public mall to let himself be seen by real people -- hoping that what the FILMMAKER told him is true.

Now being back to square one with Tom --who is refusing to be on camera again- the FILMMAKER notices a strange pattern in the Lisbeth O'Meara tapes.

The mall experiment was a disaster but the FILMMAKER never could have seen this coming. All is lost.

The FILMMAKER comes to some very frightening realizations about Helen O'Meara.

The FILMMAKER attempts to visit Tom at the hospital.

The FILMMAKER discuses the search for Mr. Tom and presents for your review various security camera clips of Tom that have surfaced on the Internet.

The FILMMAKER returns to the basement to clean up and has an epiphany...

The FILMMAKER pulls a radical public stunt to try and lure Tom home.

The FILMMAKER attempts to get Tom and Eli to help with Helen O'Meara's situation -- but his idea and the film is officially shut down by Tom and Eli.

Riding the high from the news he's recently received from Tom and Eli Dante the FILMMKER sets-out to start production on the Feature Film.