L’ultim Rumantsch

Though the financial pressure of the media house is weighing heavily on Gion, selling it is out of the question for him. Andrietta is worried, she wants to have more of a say - after all, the family's image is at stake. With her new newspaper "L'ultim Rumantsch", Ladina uncovers dark family stories in the canton. But when she also targets the hotel owner Bonifazi, it fires back at her. First the Durisch family has to deal with their own skeletons in the closet. It's about Gion-Peder Durisch, the deceased head and founder of Medias Grischunas.

The printing presses break down due to poor maintenance and the staff at Medias Grischunas rebel. But Gion plays everything down and escapes into an affair with a competitor's employee. Andrietta tries to save the image of Medias Grischunas and prepares a major exhibition about Gion-Peder Durisch. In complete contrast to Ladina, who goes against her editors and investigates the dark family secrets. She secretly puts ex-editor-in-chief and ex-lover Corsin on the story.

When Andrietta invites the family over for Christmas, conflicts bubble up beneath the surface. While Andrietta tries to keep the house in order, Gion takes care of his affair, Andrietta is irritated by her gift and Ladina discovers a mysterious letter in the cellar - a trail that leads her to Genoa.

Ladina and Corsin follow the clues to Genoa and find the missing piece of the puzzle. Meanwhile, Andrietta organizes an investor event to find new money for Medias Grischunas. But Gion has already done the damage, and the event ends in a fiasco. When Ladina confronts them with her discovery, everything falls apart.

Nothing is as it once was. Or is it? Gion finds support from his son and makes a conscious decision to stay with his family for the first time. Meanwhile, for the first time for Andrietta too, the staff of her company counts more than the image of the Medias Grischunas. Ladina also has to make a decision. Power or truth? The family picture is reassembled.