Hellmuth Costard

Hellmuth Costard

ActorDirectorEditorWriterProducer Nov 1 (died age 59) 1964–2004 (40 year career)
5.0 avg rating

Biography

Hellmuth Costard (1940, Holzhausen, Leipzig, Germany) was a director and writer, known for The Oppression of the Woman Is Especially Seen in the Attitude of the Women Themselves (1970), Der kleine Godard an das Kuratorium junger deutscher Film (1978) and Echtzeit (1983). He died on June 13, 2000 in Oberhausen, North Rhine-Westphalia, Germany.

Known For

Filmography

Crew (47)

Movies (47)

Vladimir Günstig - Eine trojanische Affäre

Vladimir Günstig - Eine trojanische Affäre

2004

Director

Vladimir Günstig - Eine trojanische Affäre

Vladimir Günstig - Eine trojanische Affäre

2004

Editor

Vladimir Günstig - Eine trojanische Affäre

Vladimir Günstig - Eine trojanische Affäre

2004

Writer

Aufstand der Dinge

Aufstand der Dinge

1994

Director

1.0
Aufstand der Dinge

Aufstand der Dinge

1994

Producer

1.0
Aufstand der Dinge

Aufstand der Dinge

1994

Writer

1.0
Battle for Time

Battle for Time

1985

Director

Battle for Time

Battle for Time

1985

Director of Photography

Battle for Time

Battle for Time

1985

Producer

Battle for Time

Battle for Time

1985

Screenplay

Realtime

Realtime

1983

Cinematography

8.0
Realtime

Realtime

1983

Director

8.0
Realtime

Realtime

1983

Editor

8.0
Realtime

Realtime

1983

Producer

8.0
Realtime

Realtime

1983

Writer

8.0
Witzleben

Witzleben

1981

Camera Operator

Witzleben

Witzleben

1981

Director

Witzleben

Witzleben

1981

Editor

Witzleben

Witzleben

1981

Script

Little Godard

Little Godard

1978

Director

Little Godard

Little Godard

1978

Producer

Little Godard

Little Godard

1978

Writer

Teilweise von mir - Ein Volksstück

Teilweise von mir - Ein Volksstück

1972

Director

Football As Never Before

Football As Never Before

1971

Director

7.0
Von der Revolte zur Revolution oder Warum die Revolution erst morgen stattfindet

Von der Revolte zur Revolution oder Warum die Revolution erst morgen stattfindet

1969

Director

The Oppression of the Woman Is Especially Seen in the Attitude of the Women Themselves

The Oppression of the Woman Is Especially Seen in the Attitude of the Women Themselves

1969

Cinematography

5.0
The Oppression of the Woman Is Especially Seen in the Attitude of the Women Themselves

The Oppression of the Woman Is Especially Seen in the Attitude of the Women Themselves

1969

Director

5.0
The Oppression of the Woman Is Especially Seen in the Attitude of the Women Themselves

The Oppression of the Woman Is Especially Seen in the Attitude of the Women Themselves

1969

Music

5.0
The Oppression of the Woman Is Especially Seen in the Attitude of the Women Themselves

The Oppression of the Woman Is Especially Seen in the Attitude of the Women Themselves

1969

Producer

5.0
The Oppression of the Woman Is Especially Seen in the Attitude of the Women Themselves

The Oppression of the Woman Is Especially Seen in the Attitude of the Women Themselves

1969

Sound

5.0
The Oppression of the Woman Is Especially Seen in the Attitude of the Women Themselves

The Oppression of the Woman Is Especially Seen in the Attitude of the Women Themselves

1969

Writer

5.0
Die Postkarte

Die Postkarte

1969

Director

Die Postkarte

Die Postkarte

1969

Editor

Die Postkarte

Die Postkarte

1969

Producer

After Action

After Action

1968

Director

After Action

After Action

1968

Writer

Of Special Merit

Of Special Merit

1968

Director

3.6
Of Special Merit

Of Special Merit

1968

Writer

3.6
Why Did You Kiss Me Awake?

Why Did You Kiss Me Awake?

1967

Director

3.5
One Brachet Close Brachet

One Brachet Close Brachet

1966

Director

One Brachet Close Brachet

One Brachet Close Brachet

1966

Editor

One Brachet Close Brachet

One Brachet Close Brachet

1966

Producer

One Brachet Close Brachet

One Brachet Close Brachet

1966

Writer

Tom ist doof

Tom ist doof

1965

Director

Tom ist doof

Tom ist doof

1965

Writer

ASTA-Spot

ASTA-Spot

1964

Director

ASTA-Spot

ASTA-Spot

1964

Writer